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"When will the prizes be announced?" she asked breathlessly, as the door clicked in its lock. "Shall we have to wait long?" To learn the truth, he thought it advisable to call at "The Wigwam" and interrogate Dido. With the evidence of Jaggard to go on, the major felt satisfied that he could by threatening her with arrest, force her into confessing the whole nefarious plot. Who had thieved the devil-stick? Who had slain Maurice? Who had stolen the body? Undoubtedly, Etwald was the villain who was guilty of all three crimes, and the evidence of Dido would be sufficient to convict him of the deeds. "You ought to be taking more care of yourself," she said, with concern. "You're tired to death, and yet you come out of your way to see about Elinor. You look dreadfully fagged.".

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When Etwald took his departure, Major Jen sent David to bed, in spite of the young man's remonstrances, but remained up himself to talk to Arkel. For a long time Jen discussed the matter with the inspector, but the conversation proved extremely unsatisfactory. Arkel was not a clever detective, or even a keen-witted man, and in a case like the present--difficult and involved--he was quite at a loss how to proceed. Finally, Major Jen dismissed him in despair, and while Arkel went to see his men, who were posted round the house--a clear case of shutting the stable-door after the steed was stolen--Jen remained alone to think of what he should do. "I must be my own detective," he thought, pacing the library. "This man is a fool. He will find out nothing, and I won't have even the satisfaction of burying the body of my poor lad. I must do the work myself, with the assistance of David. To find out who stole the devil-stick; that is the first step. To discover who killed Maurice; that is the second step. To learn who carried away his body; that is the third step. Three very difficult things to find out, and I don't see where to begin. I must learn all I can about Maurice's past life, for he may have enemies of whom I know nothing. Once I learn who his enemies are--if he had any--and I may discover the truth. I shall go and sleep, and when I awaken I shall set to work to solve these mysteries." So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. "What! Have you spoken to her?".